Discourse

"Nobody wants you but everyone needs you"

A provocation around the role and value of and expectations for artists within cultural and social change. Rather than expecting others to articulate artists’ value on their behalf, I am proposing that artists take responsibility themselves for this and for advocating for and translating their value to others.

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Residencies: practices and paradoxes

The terms of reference for today’s artists’ residencies are wide and various. Examples of the polarities artists are now presented with range from a considered opportunity over several months for artists to take stock and reflect with little or no expectation of ‘public’ output, to those residencies in which artists are expected find a solution to a community, education or arts ‘problem’ in a short time, often for a very small fee.

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Enforcement, equanimity and an afterword – thoughts on sustaining fair pay for artists

Introduction to fees to artists for exhibiting in public with examples indicating that sustaining such schemes is dependent on widespread and continued acceptance of the principle and rigorous self-regulation within the sector, and on gaining suitable levels of public subsidy to the visual arts. Three financing options are considered in support of equanimity. An afterword considers whether in a political climate of reduced subsidy to the public sector, some new strategies are needed to finance the arts and artists’ contributions. Updated 16/08/16

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Rethinking artists: the role of artists in the 21st Century

This essay for the 2014 Seoul Art Space, Seoul Foundation for Arts and Culture International Symposium briefly covers UK arts policies for support to artists’ development, comments on their impact on artists’ social and economic status and suggests a rethinking of the artists’ intrinsic role in society as a vital part of securing and sustaining contemporary visual arts in the future.

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​Creativity at the heart: the holistic approach

This paper combines arguments first presented by Susan Jones at an engage annual conference in which she questioned the efficacy of our institutionally-driven visual arts ecology with new research and enquiry into future cultural, digital and social environments for the arts. It calls for adoption of a more open, imaginative, lateral, collaborative and responsive approaches to creating cultural value, premised on building relationships and rapport with the different kinds and bandwidths of audiences and with the enablers and the makers of art.

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​Bite the hand that feeds you

This provocation commissioned by Stoke Airspace for an Artists’ Soup Kitchen addresses and confirms the importance of the role and value of artists within cultural and social change. The four sections are designed to open up a discussion on ‘what now?’ and – more importantly – ‘what next?’ for Airspace and artists and future artists located in Stoke.

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A case for the arts

In reaction to government arts funding cuts, Leeds Metropolitan University in partnership with Culture Vulture and the Audience Agency, initiated a public debate at which a panel of industry experts debated what arts funding is for and who is most deserving of it. A short provocation by Susan Jones argued for more recognition and resources for artists and individuals to counteract the slow, ponderousness of institutions whether for the arts or otherwise. View the whole event including the audience 'question time' at the end using the link provided.

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