Presentation for CAMP (Contemporary Art Membership Plymouth) 13 February 2020
Although not a major aspect of artists’ livelihoods, grants and awards to artists are a vital contributor to sustaining art practices over a life-cycle. This paper starts by outlining the benefits of direct funding to individual artists, describes differing arts policy perspectives on this in England over the last thirty years and provides a case study of Arts Council England's Grants for the Arts Scheme 2003-14 before making an argument for new, nuanced, localised approaches to nurturing and supporting the wider constituency of visual artists and diversity of art practices in future.
Introduction to fees to artists for exhibiting in public with examples indicating that sustaining such schemes is dependent on widespread and continued acceptance of the principle and rigorous self-regulation within the sector, and on gaining suitable levels of public subsidy to the visual arts. Three financing options are considered in support of equanimity. An afterword considers whether in a political climate of reduced subsidy to the public sector, some new strategies are needed to finance the arts and artists’ contributions. Updated 16/08/16
This essay for the 2014 Seoul Art Space, Seoul Foundation for Arts and Culture International Symposium briefly covers UK arts policies for support to artists’ development, comments on their impact on artists’ social and economic status and suggests a rethinking of the artists’ intrinsic role in society as a vital part of securing and sustaining contemporary visual arts in the future.
This paper combines arguments first presented by Susan Jones at an engage annual conference in which she questioned the efficacy of our institutionally-driven visual arts ecology with new research and enquiry into future cultural, digital and social environments for the arts. It calls for adoption of a more open, imaginative, lateral, collaborative and responsive approaches to creating cultural value, premised on building relationships and rapport with the different kinds and bandwidths of audiences and with the enablers and the makers of art. Links updated 17/05/2018
This provocation commissioned by Stoke Airspace for an Artists’ Soup Kitchen addresses and confirms the importance of the role and value of artists within cultural and social change. The four sections are designed to open up a discussion on ‘what now?’ and – more importantly – ‘what next?’ for Airspace and artists and future artists located in Stoke.
In reaction to government arts funding cuts, Leeds Metropolitan University in partnership with Culture Vulture and the Audience Agency, initiated a public debate at which a panel of industry experts debated what arts funding is for and who is most deserving of it. A short provocation by Susan Jones argued for more recognition and resources for artists and individuals to counteract the slow, ponderousness of institutions whether for the arts or otherwise. View the whole event including the audience 'question time' at the end using the link provided.