Tag: Creative industries
This Research paper commissioned by a-n The Artists Information Company is part of a series which first began in 2007 as a means of providing on-going evidence and insight on the context for, and nature of, employment for visual artists. By referencing data from prior years, Artists work in 2016 identifies the implications of changes in the conditions for artists’ employment and livelihoods and proposes some areas for consideration by those charged with formulating policy and measuring the economic and social impact of the arts.
Ever since the early days of New Labour in 1997, it’s been government and arts policy to integrate and progress development of the visual arts through the creative industry umbrella and to embrace its economic imperatives. As this situation is likely to continue for the foreseeable future, through my new research I’m addressing some key questions. Do these industries provide a conducive environment in which visual artists can make a living and develop their careers? Are the conditions and employment practices more favourable to ways of working by some artists while others lose out? Updated 16/01/17.
Introduction to fees to artists for exhibiting in public with examples indicating that sustaining such schemes is dependent on widespread and continued acceptance of the principle and rigorous self-regulation within the sector, and on gaining suitable levels of public subsidy to the visual arts. Three financing options are considered in support of equanimity. An afterword considers whether in a political climate of reduced subsidy to the public sector, some new strategies are needed to finance the arts and artists’ contributions. Updated 16/08/16